Generating an automation track for the vocals or bass Compressors are a great tool to work the dynamics of a signal, but they haven't stopped many great sound engineers from continuously adjusting the level of a track by hand, always keeping a finger on the volume faders of the console.
The problem is that not everybody has a MIDI control surface to make that in an intuitive way, which has resulted in the introduction of diverse solutions to allow users to create these famous automation curves. Simplifying automation and control The key to a dynamic mix that doesn't get boring and where everything is perfectly intelligible at all times is good ol' automation.
As cool as that sounds, there are many other tools out there by other software makers that are just as interesting. In short a uniquely modern approach that can be used with Windows or Mac and is available in VST, AU, RTAS, and AAX format with a price ranging from $250 to $350, depending on the version. And apart from this very interesting function, even if it doesn't always hit the mark, the software also includes some other nifty features that will help you gain some time, like a masking zones visualizer that detects the busiest frequency ranges and a system that couples EQing between tracks. It also includes a limiter which uses artificial intelligence to suggest settings depending on the context: the software 'listens' to your tracks end then suggests presets it considers most adequate. It's much more than a super-channel strip featuring a dynamic EQ, two compressors, an exciter, and a transient processor (all multiband).
In this regard, it's hard not to start by mentioning, whose ambition clearly responds to the questions raised in this article. We will not discuss here the umpteenth emulation of an LA2A, an 1176, a Pultec, or a Lexicon reverb, but rather truly groundbreaking effects, processors and tools.
0 kommentar(er)
